Caution – Book Review Ahead
Just read Tracy Chevalier’s latest book, Burning Bright, and I have to say I don’t think it is her best: in fact it bears all the hallmarks of a novel written in a hurry. Set against the backdrop of the French revolution, it spans a period of just over a year (1792-3) and tells the story of a family who move from Dorset to Lambeth, largely through the eyes of the children. Chevalier has clearly done her research very thoroughly – and that’s the problem: the research is far too obvious. She hasn’t lived with it and allowed it to settle – so the facts she has learnt about chair-making, for example (the father’s trade), or button-making (what the mother and daughter do in their spare time) and about life in late 18th-century London, intrude on the narrative instead of being in the background. But the biggest bone I have to pick with this novel are the narrative contrivances which bring William Blake (yes, the William Blake) into their lives. First and most improbably, the family move all the way from Dorset and find themselves living right next door to the Blakes: not only that, the first time they see him, he happens to be wearing the Bonnet Rouge which proclaims him a supporter of the French revolution, thus helpfully ushering in this theme. Then the lad of the family, Jem, who has formed a friendship with local girl Maggie, is discussing with her in the street the question of opposites: a most improbable conversation in the context of their usual topics – and who should happen along at that very moment to clear everything up and quote from his own Songs of Innocence and Experience – but Mr Blake himself! Blake’s poetry is quoted much too freely and at length throughout (as assiduous readers of this blog will know, I am a fan of Blake, so that is not the rub) and there were times when I thought that I had stumbled upon a child’s guide to Blake’s poetry and his life and times.
That said, it speaks volumes for Chevalier’s narrative and descriptive powers that I enjoyed reading this book. Her descriptions of the London of the era were compelling, the historical detail, though intrusive, was often fascinating, and I cared about the characters enough to follow them to the end. I was outraged by the sexual and political hypocrisy – and she does do a good job of putting the background to this aspect of Blake’s work across. However, I thought the narrative a little disjointed and ill-thought-out, especially towards the end where two pregnant girls arrive in Dorset, hastily invent husbands who are at war or in prison, but don’t think of procuring wedding-rings.
Not her best – and definitely not up to the standard of Girl with a Pearl Earring. She has written two or three others so I’ll give these a go and see what I think.
Have you read this? Let me know what you think.
I think I shall do more book reviews on this blog. If there’s a book you would like me to read, let me know. But for now I shall just recommend to you (coincidentally with a very similar title) last year’s Booker Prize winner, White Tiger, by Arvind Bhatt. Read it a few weeks ago, couldn’t put it down, and now parts of it keep coming back to my mind. Also, if you’ve got about three months to spare, A Suitable Boy. Best three months I ever spent. Well, almost.
Enjoy the day. Let me know what you’re reading.