The Year of Sitting Comfortably

Are you sitting comfortably?  Then I’ll begin.

You will only recognise those words if you are a) Old Like Me or b) young and into cultural irony like my son: I continue to be amazed at how much stuff from my youth he recognises because it’s referenced in things he watches.  Anyway, are you sitting comfortably?

Then I’ll begin: because today’s post is about the lost art of storytelling – by which I mean the old oral tradition of face-to-face narration (I realise plenty of stories are being told in print or on film.  Incidentally, remind me to post a review of La La Land.  I saw it on Friday and it is beyond description, but I’ll try.)

What started me off on this was – well, first of all it was because the title came to me and secondly because there is in Loughborough library a storytelling chair.  It’s large enough for one adult and one child, and it’s decorated with ladybirds.  Lovely, I thought, just right for a parent to read to a child.  And then I discovered that it’s actually an electronic chair: you sit in it and it tells you stories – and that seemed sad to me.  It seemed alienating and distancing – and moreover, a waste of money, especially as the funds had been raised by Friends of the Library and could have been spent on an ordinary comfy chair destined for face-to-face storytelling.

One of the first TV programmes I ever watched after we got our first black-and-white set was ‘Jackanory.’  This was a storytelling programme and as with all TV programmes, sitting comfortably was a prerequisite.  Jackanory went on for years and featured famous actors and actresses reading from a book, interspersed with pictures.  It was a simple but effective format.  Nowadays we have to turn to the radio for storytelling, but once every two months I go with Ruth to a group called Telling Tales.  The Leicestershire Guild of Storytellers puts on this event in Leicester and it features a mix of traditional and modern tales from a huge variety of cultures.  Last week we had stories from India, Norway, Germany and Iran, as well as my own largely descriptive account of the garden of the vicarage where I grew up.  I love telling stories and hearing them, and it is my firm belief that we need a return to our oral traditions; to go back to face-to-face storytelling.

And poetry, of course.

Kirk out