Pl*n is a Four-Letter Word

Other writers do things properly. Other writers plan; in fact more than one writer has put in their guidelines ‘plan, plan and plan again.’ I don’t even plan once. Sure, I throw a few random ideas into a notebook; perhaps a few diagrams, maybe even a paragraph or two. A tablespoon of characters, maybe a slew of dominant colours – but that’s all. If I were to plan a novel so that I knew what was going to be in each chapter I’d be so bored by the end of it that I’d lose all interest in writing the damned thing. A novel has to come as a surprise to me otherwise I can’t be bothered.

None of this means I don’t have a broad outline or an overarching idea. All of my novels have begun with a concept: a woman trapped in a nuclear bunker (Seven Days) gender dysphoria (The Trans Woman’s Wife) or the one I’m working on now which is based on the Fibonacci sequence of numbers.

I have an idea about writing, taken from Philip Pullman’s The Subtle Knife (or it might be The Amber Spyglass). There’s a knife which cuts between worlds and someone tells Will, the knife-bearer, ‘when you cut you have intentions. But the knife has intentions too.’ And I think writing’s like that: you start out with intentions (this poem is about…) but the poem has intentions too – and if you are wise you’ll follow those.

‘Following the Intentions of the Novel’ – that sounds like a good title for a writing course, doesn’t it? And here, just for fun, is a quote on writing:

(from Writers write – image removed on request)

Kirk out

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