It was last thing at night. I was sitting up in bed reading and OH was drifting off to sleep when suddenly I heard a voice say urgently: ‘Tenrecs have 29 nipples!’ Now I happen to know that a tenrec is a hedgehoggy sort of thing so thankfully I didn’t have to ask, and I suppose the fact of it having 29 nipples is sort of surprising but I couldn’t really get worked up about it. So I did what I always do and made a note with the aim of either putting it on Facebook or blogging about it. So there we are and now you know; tenrecs have 29 nipples – presumably because they may have up to 29 offspring to suckle, I wouldn’t know.
Making a note of things is a practise I got into a long time ago; I keep a book by my bed for anything that occurs to me during the night and wherever I am in the day a pen and paper will not be far away. Professor Branestawm used to make notes on his cuffs (those were the days of detachable cuffs which were regularly laundered, which meant that he lost a lot of great ideas in the wash) and I used to make notes on my hand but I don’t do that any more because my hands aren’t big enough and besides it’s probably not good for you. But discrimination must be exercised in the writing of notes, otherwise you can end up with far too much material, so I’ve adopted the practise of waiting and assessing: if an idea doesn’t immediately demand to be written down, I wait a moment and see if it becomes insistent. If it doesn’t, I let it go; if it does, I write it down. As time goes by I’ve become more confident in the ability of my mind to remember things as it needs to. Some thoughts need to lie fallow and mature before they can be worked.
So as the editing season begins for Nanowrimers (I shan’t begin till the New Year and maybe not even then) here are my thoughts on editing:
First, editing begins in the mind. Even as you write, the mind is sifting and selecting ideas, words and phrases, even if you’re writing quite quickly. This process is largely unconscious but it’s interesting to watch: just try standing back and observing what happens as you write.
Second, there is no hard divide between writing and editing. You do not ‘write’ first and then ‘edit’; editing is writing (though sometimes it’s un-writing) and writing is editing. However between the first and second (and subsequent) drafts of a work there is likely to be a difference in emphasis between getting things down on paper and improving the expression of those things.
My main problem is that whilst I’m able to subdue the critical mind during the first draft, it necessarily comes to the fore during editing. But unfortunately, mine doesn’t know when to stop: as soon as it’s let out it rushes at the words like a guard dog at a burglar, chases them up a tree and keeps barking until the police arrive – by which time they’ve lost the will to create. I’ve managed to write a first draft without self-criticism, now I have to find a way of editing without being super-critical.
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