This is the link to the lovely review of my poetry e-book, posted on Last Flying Cow. As you recall I offered as a prize to my 500th follower, either a guest blog post or a poetry e-book, and they chose the poetry. A wise choice. I asked if they would post a review, and they did! Here are a couple of snippets just to give you a flavour:
‘Sarada’s work evokes pathos, sadness and a fair amount of cynicism’
‘She tempers everything with well-crafted language and ideas’
‘Powerful observations about a bleak and dismal loss of youth’
Now it’s over to you. During the next few weeks I shall be offering a limited number of poetry e-books to you, dear reader. In return I am not asking ten pounds, I’m not asking five pounds, I’m not even asking fifty pence. Instead I am asking you to commit to posting a review. Once you’ve read the book, I ask you to write a short review – a paragraph will do, two is better – and post it on your own blog. If you don’t have a blog then put it on Twitter, Facebook or wherever else you have a platform. Post a link to this blog, and bob’s your uncle.
So, as another week grinds towards its end, how is my work going? Good question. I have so many balls in the air I can barely keep track of them: aside from poems there are a slew of short stories, a radio play and of course the novel which I am in the process of editing. God, editing is hard! I’ve got first drafts sorted because I’ve got to the stage where I can I just let it rip; I don’t think about what I’m writing, just trust the process and tell the critical, analytical mind to take a flying leap. But when it comes to editing, my woes begin in earnest. My mind jumps all over the place, thinking where is this going? What sort of thing is it really? Where am I going to publish it? What is it actually about? I am tossed and buffeted by ten different winds until I hardly know which way is up, and unsurprisingly I can’t do it for very long; a couple of hours is about the limit. After that I’m exhausted.
I guess these are the questions all writers ask themselves. What kind of writer am I? Who are my readers? Where do I want to be published? to which my answers would be: no idea,anyone, and anywhere. Not helpful. Some days I’d give my eye teeth to be a writer firmly established in a genre, someone who knows her audience and what they want. Someone with a publisher and an agent. But I ain’t and I don’t.
So what is to be done? One thought I had yesterday, struggling through the choppy waters of a short story, was to be aware of these questions as they arise and record them with a view to analysing them later. This is difficult because they rush by at the speed of light, yelling something indiscernible as they go. They’re like players on a hockey field and I never got on with hockey because apart from being out in the cold and the mud trying to hit a tiny ball with a narrow strip of wood, people are rushing by you all the time shouting things like whazafalabeat! and gizzacobaball! and by the time I’d said, ‘Sorry, what was that again?’ they’d be down the other end.)
This is the story of my life. I didn’t fit anywhere so I became a writer. Then I discovered that I didn’t fit anywhere as a writer. So what’s next?
The poetry pamphlet which I promised my 500th follower is now ready and will soon be on its way to the lucky winner, Lastflyingcow.Also, coming soon… I plan to make it available to other readers! Yes, you lucky people can also have a copy in return for… no, not money but for publicity. All I ask is that you read the pamphlet, give it a quick review and post a link on your blog/web page/Facebook page/Instagram or whatever other platforms you may have. It doesn’t have to be a long review; just a couple of lines will do – at this stage I just want to get the word out there. Making my first million can come later…
Ho ho ho.
Well isn’t life wonderful? I was just sitting here cogitating on what else I can say to you on this rather dull morning, and I saw a little thing I’ve noticed before on my toolbar. AMP it said cryptically, and I briefly wondered what AMP might be before realising that I need wonder no more, for Google will tell me. Pausing only to scroll down through a million irrelevant adverts, I found this page which tells me exactly what AMP is. And lo! I am utterly none the wiser. I simply do not understand any of it. For example, what does this mean?
‘enabling full-site AMP experiences without sacrificing the flexibility of the platform or the fidelity of content.’
‘enabling AMP compatibility for all core themes, from Twenty Ten all the way through Twenty Twenty.’
In English please? Can anyone explain? Brian? Anyone? Because all I get from this is that it enables something without sacrificing something else. But what is it? What is it for?
In the same way I used to give up on the MS Help pages because they spoke a foreign language. Why can’t they explain this stuff properly? I know why, because Silicon Valley is full of bright young (mostly) men who think everyone speaks their language.They ought to start appointing some people over fifty, preferably women with good translation skills.
Ah well. I wish you a very happy Wednesday, Mercredi, Mittwoch, Miercoles, Mercoledi, Budhavara or, since I’m a Quaker, Fourth Day. See? I speak numerous languages – it’s just that Techie isn’t one of them.
I know I’m bombarding you with posts at the moment but the brain is very fertile right now and who am I to resist? So as a companion piece or riposte, if you will, to the last post here is a tried-and-tested method of dealing with perfectionism, called Santosh.
It’s a Sanskrit word meaning ‘contentment’ (the very sound of it is comforting, and that’s no coincidence, as I’ll explain) but not the lying-on-the-sofa-watching-TV kind of contentment, if indeed that is contentment at all. No, it’s the contentment that consists in being satisfied with what you’ve achieved, no matter where you might end up. To paraphrase Kipling, it’s meeting with triumph and disaster and treating those two impostors just the same (Kipling was born in India and was very influenced by ‘Eastern’ thought.) Anyway, leaving Kipling on one side for a moment, contentment or santosh is the practice of being content in the moment with what one has achieved. It does not imply self-satisfaction, nor does it prevent future progress; in fact I would suggest that without santosh there is no real progress.
Consider the case of someone (I know wherof I speak) who is overweight and desires to be slim. Their life may be dominated by self-disgust and thoughts of how they would like to look. But far from being a spur to achievement this is an obstacle because acceptance is lacking. Unless you can accept where you are – however briefly – you can’t move on: it’s like trying to find your way somewhere by putting the wrong postcode into your satnav.
Sanskrit is an ancient and astonishing language, and one in which sound and sense work closely together. This can be seen more clearly in the practice of mantra where a word or phrase has a meaning, a sound and an appearance, each of which can be used for meditation.
Like many people at this time of year I’m starting to think about the New Year and decade!!! and what both might hold. It’s also a time to look back at goals set at the beginning of the year and ask if they were achieved – and the answer is no, at least for one major goal. But as with many things in life the outcome is not always within our control, and I have done a fair bit of submitting work this year but to no avail. On the other hand I have also done Nanowrimo and I’ve sent ‘Tapestry’ to a number of readers and received some positive feedback. So things are progressing.I have also, one way or another, managed to make a lot more money than in recent years which I put down at least partly to Paul McKenna’s ideas here). His book on sleep has also helped and even though I still have problems the zzzzzzituation has improved enormouzzzzzly.
Levels of confidence have also improved, leading to the ability to ‘see’ success, in other words, to visualise myself as being successful. I believe visualisation to be hugely important: nothing can be achieved without first being visualised – or, to put it another way, everything starts with an idea.
So, what are my goals for the next decade? It won’t surprise you to know that they involve being published and establishing a solid reputation as a poet and author. What lies between me and achieving these goals is a complex mixture of the state of publishing today and my own fear of success.
The next ten years are crucial for climate change, so that needs to go on my list of goals. If and when we buy a house it needs to be made carbon neutral within five years. When the car conks out I shall not replace it but join a car club instead: I may also fulfil a long-held ambition to get a motorbike and pass my CBT (OH utterly refuses to ride pillion so the bike will have to be for my own use.)I don’t intend flying anywhere in the future so journeys will have to be made by train and/or boat. As well as all these changes there will need to be moves to more sustainable food, clothing and packaging – some of which are already under way.
How are these goals to be achieved? Will-power is one thing and on the whole I have plenty of it, but will-power can only take you so far: at some point my inner hang-ups and obstacles will need to be tackled otherwise I may end up sabotaging my own efforts.
So there it is in black and white: my goals for the next decade. Brian seems to be doing fairly well with his – what are yours?
And if I don’t see you before Jan 1st, Happy New Year!
I have blogged before about the moment on a German mountainside when I began to write again after years of being blocked. Back then my work consisted of ‘diary’ writing and I’d be happy if I wrote a page or two each day, doubly so if there were some good ideas in it. Back then I couldn’t even imagine writing something so coherent and structured as a short story, let alone a novel. This state of affairs continued for quite some while: I’d write fragments of description, dialogue or characterisation but no matter how I sweated and groaned and prayed, nothing hove into view which might remotely be said to resemble a Plot.
Gradually these fragments began to weave themselves together and eventually some sort of narrative emerged and I began to write short stories, a couple of which were even published. But I still couldn’t imagine writing anything as vast and complex as a novel. What would I write about? What would happen? But over time the stories wove themselves together and somehow out of nowhere I wrote my first novel. Then I discovered Nanowrimo and wrote three or four more but still I couldn’t imagine anyone wanting to read, let alone publish them. Then I wrote another novel, sent it to a dozen friends to read and got some positive feedback. But still I couldn’t imagine having a publisher or an agent. Now I’m starting to imagine what it would be like to have a publisher and agent – but when I get there I’ll probably struggle to imagine being successful. And so it goes on.
But there’s another strand to this story, because it’s also a journey from prose to poetry and from the written to the oral tradition. When I started writing I assumed I would write novels. Short stories didn’t seem relevant and as for poetry, that was for another race of people entirely.I definitely, absolutely did not see myself as a poet, despite – or perhaps because of – having written comic verses as a child and love poems as a teenager. I just didn’t take them seriously as poetry.
Enter Word! I can’t remember what drew me to this (then) tiny group of poets in Leicester. Maybe it was that they met in a bar (always a plus), maybe it was that they seemed a refreshing antidote to the precious groups I’d hitherto encountered, one of which made a huge deal about me even attending, let alone reading. But going to Word! was like opening the doors and letting in the storm. It blew me away – and I came home thinking Yes! I can do this! The next time I took a poem I’d written and although the idea of reading in public terrified the pants off me, the group was so supportive that I never looked back.
In order to discover myself as a novelist I had to travel back in time to the beginnings of literature, to the sadly undervalued oral tradition.And that is where I found my voice.
It seems to be my destiny to write in a series of crumbling, cobbled-together environments. My first ‘desk’ was a bureau in the hall on which I wrote in an old notepad with a school biro; later I had an old-style school desk with a sloping lid, impossible to write on unless propped up by books; after that I had my Dad’s old office desk which was held together with bits of string until it wasn’t, and had to be junked. That was a sad day. I’ve written at tables in the corner of rooms and for three glorious years I had my own study with a proper desk and bookshelves, just like I’d been dreaming of. But it didn’t last and after a year of trying to work in the library and using a friend’s spare room, I cleared a tiny corner of my bedroom from which I am now speaking to you.
The ‘desk’ on which perches my laptop or notepad is really a hospital-style table on wheels, the sort which fits over a bed. I spied it in the outhouse and thought, aha!I could write on this during the day and wheel it into a corner at night. So, for the last two years, this is what I have done. It’s cramped and far from ideal but nevertheless on this wonky table in a corner of the room I have written two novels, a couple of dozen poems, numerous short stories and of course my many blog poststo you, dear reader.
So here’s the thing; if I’d waited for the right arrangement during those years I’d have got nothing done. The thing is to write, no matter where you find yourself; so long as you have pen and paper (or laptop) and a corner of peace you can write. I have written on railway platforms and trains, on buses, in pubs and cafes, in libraries and parks and even in the middle of the street when an idea seized me and I had to write it down. Want to be a writer? Write. Accept no excuses.