After all that! After all the expectation, after all the hype and the trailers and the podcasts, after all that had gone before, the twists and turns, the misdirection – I was expecting a huge, multiply-orgasmic explosion of revelations, gasp after gasp, plot twist after plot twist, from the final episode of Line of Duty. Instead what we got was a damp squib. To find out, after all this time, H – or the fourth man – wasn’t some criminal mastermind posing as a respectable senior officer, wasn’t the Chief Superintendent or the smug woman who took over from Hastings – wasn’t, in fact, Hastings himself (Jesus, Mary, Joseph and the wee donkey, but that woulda been a twist!) but was in fact sad incompetent little Ian Buckles who was being used as the fall guy, was a bit of a let-down. His interview was a series of shrugs and ‘no comments’ – there were no major reveals, no car-chases or shoot-outs, nothing in fact resembling a climax. It was as if the curtain rose on a pile of charred embers and at the end of it all we were told that systematic corruption within the force was never pursued and hence never discovered. I was disappointed; I’d looked forward to it for so long and after all the build-up it was a real anticlimax.
Ah well. Onwards and upwards… life without Line of Duty was always going to be that little bit harder and I suppose the ending made it easier to bear. But that doesn’t prevent it from having been one of the best TV dramas in – well, probably ever; in this day and age, a programme that makes you concentrate every second in case you miss something vital is a rare gem. There’s too much ‘wallpaper TV’ – and I’m not talking about the Prime Minister’s apartment. What I particularly hate are the programmes which give you two minutes of clips showing you what the programme’s about when a single sentence would do; not to mention those which tell you what’s going to happen next time which thankfully Line of Duty never did. It had too much respect for itself.
When that landmark was passed, I watched the rest of Philomena, a great film based on the scandal of the Irish church selling the babies of ‘fallen’ women. Martin Sixsmith, played by Steve Coogan and introduced by Philomena everywhere as ‘Martin Sixsmith, News at Ten’, helps Philomena (Judi Dench) to find her lost son who was taken from her by the nuns and sold to American parents. It’s a shocking story, most of all because of the cruelty and hypocrisy of the nuns who could have reunited mother and son but lied and covered up the truth until it was too late. And after that I sat through a harrowing play about child abuse during the Troubles in Northern Ireland and even though I put on an episode of Motherland afterwards to take the taste away (this series has grown on me and now I love it) but the trauma stayed with me when I went to bed.
I’d had plans to go for a walk yesterday – the day before I discovered a beautiful bluebell wood – but those plans were scuppered by the weather so in the end I just went to Sainsbury’s and stocked up. In the rain.