It’s the summer solstice today – to be accurate, at 9.50 last night: at that point OH and I looked out of the window and then at each other in a very anticlimactic way as not much was happening. I don’t know what we expected – but last night as I went to bed I saw the moon rising and gasped; it was orange from the dying sun and nearly full. I watched it for a few moments as it rose above the trees. It reminded me of one night when I was walking across Victoria Park in Leicester. It’s a large, open park and at one end of it was the rising moon. It was opposite the sun and blood-red in a dark sky; it looked weird and magical. Every year I think I’ll go to Beacon Hill for the solstice celebration and every year I sleep through it. This year I had no such excuse; I was awake at 3.30 but it didn’t even occur to me, alas. I tried to get back to sleep but was plagued by anxiety so at 6 I gave up the unequal struggle, meditated for a bit and then made myself a drink. The day did not start out very promising; I felt very pent-up and frustrated but then I decided to do yoga in the garden. The grass is very long at the moment but I lay my mat down on top of it and stretched among the grasses and wild flowers and felt much better. I had breakfast outside too.
Last night I began what may turn into another novel. I have terrible trouble with the novel form; I can’t decide whether to plan or just begin writing and as soon as I start thinking about what to write all my ideas flee away and I’m looking at a total blank in my mind as well as a blank page. Then I had an idea: my father-in-law used to work for a paper-mill in Chartham, Kent (Wiggins Teape):
https://charthampapers.altervista.org/?page_id=3231
and he left a box of paper samples which we’ve kept. Some of these were what I thought was graph paper but they turned out to be graph data pads with tiny squares of different sizes for plotting logarithms. This is interesting in itself – much more so than a pad of even squares – and that started me off. My plan had been to decide on the themes of the novel and give each one a colour; then plot these on the graph to give a representation of structure. But I couldn’t begin. This is always my problem; if I plan I get bored; if I don’t, I get stuck. But then I had a brainwave: turn the whole thing round! Do the colours first and then decide what they represent. Or not; most writers, most of the time, work on instinct; what feels right or looks right or sounds right. It’s not till afterwards that you understand why. So for a while I played around with colours and made different shapes and lines on the pad. I have no idea what they represent but I am sure that this is the right approach. Sometimes we creative types get so hung up in the process that we forget to play.
Happy Friday. Enjoy your day, whatever you’re doing.
Kirk out